Tag Archives: 1970s

(Book) Horrormania ’79: Journal of a ’70s Monster Kid

Horrormania ’79: Memoirs of a 10 Year Old Horror Fan is a Great Read

Horrormania 79 book

I’m always honored when a creator reaches out to me about a new project they are working on to ask my opinion or feedback. While I understand that I provide a media forum to promote their project, at the end of the day, I’m simply a fan like everyone else. That said, I am a big fan of the new book Horrormania ’79: Memoirs of a 10 Year Old Horror Fan by Kevin Doherty.

Self published in 2018, Kevin’s book perfectly captures a period of time at the tail end of the great pop culture Monster Boom, just as Star Wars was changing fandom and horror was stepping fully into the slasher/gore realm of the 1980s.  The similarities to my own late ’70s monster kid childhood are striking and ten year old Kevin and his motley crew of friends are all kids I would have loved to have known back in my grade school days.

Kevin drew stories from his childhood journals to craft a well-written, engaging and heartfelt story of a boy teetering between childhood and the oncoming train of adolescence through the lense of a fully dedicated horror fanatic.  Complete with Frank Langella’s Dracula, Star Wars, Dawn of the Dead, KISS, Famous Monsters of Filmland, Fangoria, the Incredible Melting Man and more, Kevin perfectly captures this moment in time. His chapters read as short stories that all wrap together into a broader arc of personal growth, family, friendship and fandom. With chapter titles such as Horror of Nosferatu, The Amityville House of Horrors and The Horror of Dracula (and Evil Knievel) you know this a book you can relate to your own childhood. Here’s his opening paragraph of the Prologue of Horror:

Please allow me to introduce myself. My name is Kevin Doherty. I’m forty-eight years old. And I’m a horrorholic. I love everything and anything horror. Movies, books, magazines, music, toys and well..as I said, anything horror. I consider myself a bit of an aficionado on the subject and can comfortably say that I’m a walking, talking, living and breathing horror encyclopedia.

Sound like anyone you know, dear reader? I’m guessing it does and I highly recommend you read this charming walk down nostalgia lane. I’m sure glad I did!

Grab your copy on Amazon and for you Halloween reading list:
You can follow Kevin on Twitter @magictoasterfi1

Let him know we connected you and share your thoughts here on this post after you read his book.



Ghostly Sounds of Monster Kid Childhood

Peter Pan Record’s Ghostly Sounds: The Soundtrack of My Childhood

Ghostly Sounds Peter Pan Records Cover

“Night falls. The forest holds its breath. Everything is still. The blood red moon stares through the trees. Suddenly, the wind blows! The trees… shiver. A bat quivers in the night… and flies away.”

For a kid growing up on a steady diet of the over-the-top comic book prose of Stan Lee and the comic book ads that promised greatness, only to certainly under-deliver should one actually convince their parents to order from them, such hyperbole is the stuff of wonder.

Ghostly Sounds from Peter Pan Records was released in 1975 and wound up in my small vinyl collection by that same Halloween.  The cover of Ghostly Sounds promises ” A stunning array of sound effects” and throughout this narration-filled record, it delivers the goods: “Flying Bats; Walking Monsters; Cackling Witches; Screeching Cats; Rattling Chains; Haunting Ghosts; Shrieks of Horror and many, many more scary sounds.”

Like our beloved Famous Monster of Filmland and the great bronze age comic book, it’s the cover art, by George Peed, that grabbed us by the throat and commanded us to buy.  The Ghostly Sounds cover features a top-hatted vampire with skull cufflinks and fanged skeletons accompanied a grinning ogre and the most unthreatening cartoon frog in the history of commercial Halloween art. But the stern warning “Not for the very young” was brilliant in drawing a line that this nine-year-old Monster Kid knew he must cross, because promised terrible delights that must be heard. And finally, that glorious house, obviously haunted and dangerous, daring to be explored.

With narrator Peter Waldron ever present to guide us through the treacherous sound effect landscape, Ghostly Sounds begins with marvelous effects of wailing, cackling witches, and their bizarre spell-casting. Howling wolves and keening cats are heard. All the while, the eerie noise of wind purrs in the background. Many of the album’s effects, all untitled, were done on a synthesizer, and those awful canned music machines were seldom used to better effect.

“From out of their hiding places,” the narrator announces, “Goblins step… and laugh… and dance.” The deranged, bobbing, giggling, merry/creepy effects used to represent the goblins and their ghoulish gathering is a highlight of the entire spooky sound effects genre.

Next, we are treated to “Strange, unnatural sounds” — a woman’s unholy, almost musical moaning. That and the track that follows, “Skeletons rising from their graves,” are a highlight of an already splendid album. As the album’s various creatures join together and rise into a cacophonous burst of pure Halloween, the narrator exclaims, a terrified, resigned catch in his voice, “And nothing will stop them! Nothing at alllll….”

A pause.

“…Except lollipops, and apples, and chocolates, and nuts,” the narrator concludes, his voice now steady and sober as that of a friend neighbor benignly dolling out Snickers. A last-minute terror softener.

This is a children’s album, after all, and there are limits to the fright that a kid can stand coming from his record player. But not if you’re a Monster kid…this LP is a nostalgia-filled trip back to simpler times and the gloriously over-the-top cover art makes it a stand out in my collection.

Front Cover:

Ghostly Sounds Peter Pan Records Cover

Back Cover:



A Ghostly Sounds 11:52
B The Ghosts From Outer Space 11:54

Listen to the full album here:

  • Artwork – George Peed
  • Narrator – Peter Waldron
  • Producer – Gershon Kingsley


Released in 1975 by Peter Pan Records, the record only received one pressing.

Catalog # 8125

Ghostly Sounds Peter Pan Records Side A

Ghostly Sounds Peter Pan Records Side B

In 1979, Rainbow Records released this LP in Australia with the same cover art along with a cassette version. These releases are identified as Catalog # RPG 6015 and RPGC 6015 respectively.

Collector Notes:

This LP is readily available online and certainly can be found at local vinyl shops with regularity for as little as $5.  If you’re like me and like to collect higher grade items, then expect to pay around $20-30 for a VF/NM vinyl/sleeve combo of this 1975 LP.

Of course, online shoppers can track down copies in the usual places:


Classic Monster Trading Cards: Topps Creature Feature

You’ll Die Laughing With These Glorious Bubble Gum Cards

TOPPS Creature Feature Trading Card Deck

By now, most of you readers know I am a 1970s Monster Kid.  While Monster Mania was to end by the end of that decade, the early 70s was still a wonderland of phantasmagoric merchandise.  By 1973, I was 7 years old, well on my way to Monster Kid-dom,  and one of my favorite places in the world was the local Get-n-Go convenience store.  The comic book spinner rack was a treasure trove of excitement, the latest issue of Famous Monsters was usually on the magazine stand and then there were the bubble gum cards!   

From Wacky Stickers, to Planet of the Apes and eventually to Star Wars,  bubble gum cards held me in rapture for a decade, and in many ways they still do.   The height of that rapture was Topps Creature Feature cards.  It was like Famous Monsters with bubble gum! Each package a mystery with cards featuring pun-filled jokes and marvelous movie still from movies I had yet to see!

Topps Creature Feature Trading Cards

Released in 1973, Topps Creature Feature cards featured licensed black and white movie stills from the classic Universal Studios and American International Studios. 

Series 1 included cards 1-64:

                               Card #34:   Topps Creature Feature Card #34 1st Series   Topps Creature Feature Card Back #34 First Series   Series 2 includes cards #65-128

                                Card #66: Topps Creature Feature Card 2nd Series #66 Mole People                                 Back:Topps Creature Feature 2nd Series #66 Card Back                               Card #78:Topps Creature Feature Series 2 #78

Topps Creature Feature Card #78 2nd Series

The back of the cards used the same “You’ll Die Laughing” headline and purple illustrated border as the original 1959 Funny Monsters cards and included a marginally funny monster joke.

Because of this, all three Topps card sets, from 1959 to 1980, are often referred to as You’ll Die Laughing cards.  That title most appropriately refers to the 1959 Topps Funny Monsters cards which  featured illustrations of monsters rather than licensed movie stills.  Not only did Topps use the same headline and border in all three series, they used the same corny jokes in both 1973 and 1980 series as had originally run in 1959!

We’ll cover those wonderful Funny Monsters 1959 cards in a future article.

Topps Reissued Creature Feature in 1980

Largely a reissue of the 1973 Topps You’ll Die Laughing set with many of the same images and captions, about 33% of the 1980 cards were new images, but the primary difference is the wrapping:

1980 Topps Trading Cards Creature Features PackagingAs well as the addition of color borders to the 88-card set, which is helpful determine the set these cards belong to:

1980 Topps Creature Feature trading cards

1980 Topps Creature Feature sets included one of 22 stickers in each package  Labeled “The Monster Hall of Fame,” these  stickers are quite inexpensive and easy to track down.

Topps 1980 Creature Feature Sticker Mr Hyde

Topps Creature Features Monster Hall of Fame Stickers 1980

Base sets are affordable as well.  For collectors on a budget, the 1980 cards are a less expensive place to start collecting.

Collecting Monster Trading Cards

Creature Feature cards from 1973 and 1980 series are quite easy to find both as single cards and in lots.  It may take a bit if effort to piece together the entire series as lots often are incomplete.  But with time and diligence, assembling a full series is very doable.

Single cards usually range from $1 -$2 and sets are usually in the same per-card price range times the number of cards included in the lot.  It is common to find complete display boxes for the 1980 series, though much less common to find 1973 sealed display boxes.

Interestingly, many of the original 1973 proofs are currently listed on eBay for fixed price of $320 each.  It’s a really unique collectible, but it would obviously be quite an investment to piece together a large collection of these

Here’s an example:

Topps Creature Feature #4 Proof

Certificate of Authentic Topps Creature Feature Proof

Worth taking a look, and a really unique monster collectible for the right collector!  Click here to see all the Topps Creature Feature cards currently listed on eBay

Monster Card Collecting Resources

More more in-depth information about Topp’s Creature Feature Trading Cards and collecting trading cards in general, I highly recommend these resources:

Did you collect these cards in your Monster youth? Do you still? Share your memories – and your collections – with us!


Classic Movie Posters – The Land That Time Forgot

Classic Movie Poster Gallery

land-that-time-forgot-1974-001-posterThe Land That Time Forgot (Amicus, 1975)     U.K. Quad 30″ x 40″

I saw this movie at the theater when I was 9 years old.  Plain and simple – it had everything I could ask for.  I loved Tarzan, dinosaurs, cavemen, submarines….this movie had it all.  One of the last pulp fantasy-adventure films before Star Wars changed everything, The Land That Time Forgot remains indelibly printed in my memory as one of the great movies of my childhood.

This is the British quad poster for the film, and while it isn’t the same one my 9 year-old self fell in love with in the mid-70s, today it is my favorite  poster for the film.  The day-glow title letters really does it for me and ties the poster together visually by matching the vibrant orange of the exploding volcano.  The utter ridiculousness of the submerged T-Rex battling the German U-Boat (spoiler alert:  NOT in the film) adds to the overall camp and the utter joy I feel when looking at this poster.

The art, by the great Tom Chantrell, is simply magnificent — click on the images below to take a closer look:





Here’s a terrific overview of Chantrell’s career and impact from BFI.uk.org:

Celebrated poster designer Tom Chantrell, whose prolific career took in everything from Brighton Rock (1947) to Star Wars (1977), also worked for both production houses. For a while Chantrell was ‘house artist’ at Hammer, bringing a ghoulish relish to the campaigns for everything the studio put out between The Nanny (1965) and Taste the Blood of Dracula (1969).

This iconic image for the 1966 prehistoric adventure One Million Years B.C. is typical of Chantrell’s partiality for bold lettering and what film poster scholar Sim Branaghan calls “a riot of brilliantly deployed colour across epic, wonderfully composed canvases.”

Chantrell was the man that Amicus would call on when it embarked on its own series of ancient-world fantasies, derived from the novels of Edgar Rice Burroughs. Each starring Doug McClure and directed by Kevin Connor, this sequence began with 1975’s The Land That Time Forgot, the First World War story of survivors from a torpedoed ship coming across a lost continent where dinosaurs still roam. Chantrell’s action-packed poster enticingly contrasts a German U-boat with exciting primordial drama, while the brash red of the title font is matched to the florid lava of an erupting volcano.

With changing fashion and the rise of computer-aided graphic design in the early 80s, the illustrative craft of designers like Tom Chantrell would soon be a thing of the past. So these eye-catching Amicus posters represent some of the final glories of a lost art.

Courtesy of BFI.org


The Land That Time Forgot starts with the torpedoing of a passenger ship by a German U-boat crew. The few remaining survivors, including Bowen Tyler (McClure) and Lisa Clayton (Penhaligon), manage to overcome the U-boat’s crew when it surfaces and they force the captain to pilot the craft back to allied waters. The crew decide to sabotage their plans and the craft ends up completely lost in unknown waters. They happen across a strange island and find an underwater cave through which they pilot the U-boat. When they surface in the islands interior they are immediately set upon by a dinosaur-like creature that eats one of the crew before Tyler manages to decapitate it. The crew then venture through the strange land and come across more giant beasts and a tribe of primitive cavemen before discovering oil, which they hope will allow them to escape back to civilisation.

Here’s the film trailer for your viewing pleasure:

Poster Value

High-grade copies of this poster are usually priced in the $500 range.  The combination of Tom Chantrell‘s gorgeous art for a Edgar Rice Burrough’s dinosaur vs submarine adventure movie make this a poster that will continue to be desirable for collectors and genre fans for a long, long time.

I found current listings on eBay UK ranging in price from with a Near Mint copy priced at $545.

Grade A copy of this quad poster is offered for 275GBP ($429 U.S.) at Frontrowposters

Tom Chantrell’s estate has partnered with BFI to offer original posters from his collection through their website ChantrellPosters.com – the quad isn’t available but high quality UK double-crown poster (20″x 30″) is listed for 145GBP ($226 U.S.)


What can I say; this film does it for me.  It was a perfect stew of everything I loved as a nine-year-old and the affection I have for it hasn’t lessened over the years. While it’s effects weren’t high quality even for the time period, with rubber dinosaurs and amateurish cave man makeup, the story was great fun and packed with thrills.  It’s pure, unadulterated camp and I love every second of it.